Michael J. Fox now speaks with a candor sharpened by decades of exhaustion and grace. He talks about waking up unsure of which part of his body will fail him next, about surgeries that left him learning to walk all over again, about the quiet terror of knowing the disease is always a step ahead. He doesn’t dress it up. He doesn’t pretend it’s fair. He simply names it and, in doing so, takes some of its power away.
Yet his resolve feels almost defiant. Fox leans on his family, on dark humor, on the stubborn belief that meaning can coexist with suffering. Through “Still,” he refuses to be edited into a neat inspiration trope; he allows the camera to see the falls, the frustration, the doubt. What lingers is not pity, but a fierce, imperfect hope: that a life can be breaking down and still be profoundly, stubbornly worth living.
